DVS Clipster Manuel d'utilisateur télécharger pdf (Page 9)

3D Subtitling

Automatic Colormatch

3D STEREOSCOPIC AND

DCI MASTERING WITH CLIPSTER

STATE-OF-THE-ART DCI MASTERING

CLIPSTER

enables the generation of DCI masters with stereoscopic

content. Following the DCI speciﬁcation, CLIPSTER

grants the ability

to create fast and secure stereoscopic Digital Cinema Packages (DCPs).

CLIPSTER’s DCI Mastering Wizard lets you conveniently perform all

3D HANDLING

Whether you ingest 3D content using HD-SDI

up to 30 frames per second or use any ﬁle

based input format – CLIPSTER

simpliﬁes

the handling of 3D content. Connect two

independent streams in the timeline, right

away in the BIN or automatically on import

and both streams will be used in perfect syn-

chronization.

Stereo tracks can be edited as regular video

tracks – eliminating the need to edit the left and

right eyes separately. Play out and control both

streams simultaneously over HD-SDI or DVI. A

routing feature helps you to deﬁne the left and

right eye outputs. Control depth in real time up

to 48 frames per second per eye with a special

3D panel – preparing you for the high frame

rate tasks to come.

Conforming 3D content is also painless with

CLIPSTER’s sophisticated conforming tool; just

drag and drop the EDL onto the timeline and

the stereoscopic images are created.

THE STEREOSCOPIC DCI

MASTERING PROCESS

Two separate video streams – one for each

eye – are merged together when mastering

a 3D stereoscopic DCP. 3D subtitles, depth-

editable with manual control or sophisticated

automatic depth detection, can be positioned

and reviewed in real time to prevent depth

collisions.

Following the DCI speciﬁcation, the ﬁnal

DCP is comprised of left and right images

interleaved at 48 frames per second and

encoded into JPEG2000 ﬁle sequences in

X'Y'Z' color space. And of course, CLIPSTER

offers even higher frame rates of 2x 48 fps.

The DCI Mastering Wizard

"We found that our ﬁrst CLIPSTER

met all the requirements for DCP and video

mastering, and with the ability to import practically any type of ﬁle and convert

to DCP, CLIPSTER

makes for a fast and efﬁcient workﬂow for our clients. The

growing market for DCP and 3D DCP, along with increasing digital demands has

led us to invest in an additional CLIPSTER

.”

Ian Bidgood, Technical Director Park Road Post

All major stereoscopic methods are supported where

two streams are needed (e.g. interleaved, polarization,

anaglyph red/green, anaglyph red/cyan, Infitec

, etc.)

Easily conform left and right eye streams into the

timeline

Edit a stereo track as a normal video track

Check the proper 3D picture depth with CLIPSTER’s

complete set of display modes

Merge together two streams of uncompressed file

sequences in DPX, TIFF, BMP, PNG, etc. into one stereo

track in the timeline

Utilize the automated and manually controlled stereo-

scopic correction tools

Encode JPEG2000 X’Y’Z’ ﬁles in high speed with

hardware-accelerated stereoscopic DCI Mastering

Conveniently perform all steps in the stereoscopic

DCI Mastering process with CLIPSTER’s DCI

Mastering Wizard

Check the ﬁnal 3D stereoscopic DCP using CLIPSTER’s

D-Cinema emulation including subtitling

DCI Mastering now includes support for supplemental

DCPs – quickly generate various DCPs in different

languages

DSM DCDM CPL KDM DCP

DCI

steps in the stereoscopic DCI Mastering process including interleaving,

encoding, encryption and wrapping into MXF ﬁles. With CLIPSTER’s

unique hardware accelerator, this process can be accomplished faster

than real-time!

QUALIT Y

COMES FIRST

When creating the ideal 3D experience,

control over the available depth parameters is

critical and instant visual feedback is essential.

With these requirements in mind, CLIPSTER

was designed to support all available output

formats to connect to single or dual projec-

tion units and screens. If you ﬁnd yourself in a

situation where only a 2D screen is available,

the anaglyph-mode offers a safe fallback.

Camera misalignments while recording must

be detected in order to prevent vertical

and rotational offsets from showing in the

theaters. The highly sophisticated STAN

software (Stereoscopic Analyzer) is tightly

integrated into every CLIPSTER

offering the

most superior 3D error detection available

in the market. For manual correction, all

necessary parameters can also be edited and

animated. Use the overlay’s difference and

anaglyph modes to control the result, or consult

the 3D depth histogram to quickly reference

depth allocation – including conﬁgurable

thresholds for maximum disparities.

For color-differences, the automatic color

matching tool enables you to align the look

between both eyes.

With CLIPSTER's D-Cinema player emulation,

you can easily control the quality of the ﬁnal

DCP and view its integrated subtitles.

1716

CLIPSTER

THE HEART OF YOUR DI

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DVS Clipster Manuel d'utilisateur Page 9

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