Demosaic and decode RAW files in real time to enable
fast DI workflows (RED
®
, ARRI, Sony, Phantom,
Silicon Imaging, and a host of other digital
cameras)
Control the image processing requirements
for developing RAW data
Quickly create high-quality RAW dailies with
comprehensive burn-ins from RAW files
Sophisticated conforming of RAW files
FCP XML and Avid
®
ALE support
RAW WORKFLOW
WITH CLIPSTER
®
QuickTime
®
Reference File
RAW files like
R3D, ARI, CIN
Bayer Pattern Camera
e.g. RED
®
, ARRI, Sony
Silicon Imaging
HD-SDI single-/dual-link
DVI out up to 4K
DPX, TIFF, PNG, etc.
Color grader control of
CLIPSTER
®
over RS-422
Color grading with DPX
file sequences
Offline editing
with FCP
Offline editing
with Avid
®
EDL/XML
Avid
DNxHD
®
EDL/ALE
Real-time demosaicing and decoding of RAW files in full 4K resolution
Generate RAW dailies with sophisticated burn-ins
Powerful conforming of RAW files with EDL, XML and ALEs
Color grade in a typical DI workflow controlling CLIPSTER
®
over RS-422
Generate DPX file sequences in 4K RGB 16 bit in high speed
LIGHTNING FAST
RAW DAILIES
Create offline editing content on-the-fly with CLIPSTER’s brand new
burn-in feature set. RAW dailies are generated easily with RAW material
directly from RED
®
, ARRI, Sony, Phantom, Silicon Imaging, and a host
of other digital cameras, eliminating time-consuming data processing
sessions. CLIPSTER
®
provides the formats needed for your offline
workflow. The powerful CLIPSTER
®
engine generates offline formats
in HD/SD, Apple ProRes 422 (4444, HQ, LT, Proxy), Avid DNxHD
®
or other commonly used compressed formats with the metadata and
header information burned into the picture.
PROCESS FULL 4K RAW FILES
Shooting in RAW mode provides the highest quality content and
delivers the utmost flexibility from acquisition through post production.
The new CLIPSTER
®
hardware accelerator board easily decodes, demo-
saics, and processes RAW content faster than real-time. Moreover,
it provides the ability to work with a full resolution RAW file in 4K
12 bit RGB mode just like RED ONE
®
, RED EPIC
®
, ARRI ALEXA and
Sony F65 cameras. Simply drag and drop the RAW files directly into
the CLIPSTER
®
timeline and press "play." No pre-processing or back-
ground rendering is required. In addition to the video stream, the
audio and all of the metadata are utilized. A sophisticated toolset lets
you view the camera parameters, enabling ultimate picture control to
achieve just the right look.
THE REAL-TIME DIGITAL CAMERA
RAW WORKFLOW
CLIPSTER’s unique Conforming Tool quickly manages and conforms
all original RAW content via EDL, FCP XML or ALE. Using the time-
code and reel number, the RAW files can be assembled on CLIP-
STER's timeline. By using a split screen you can compare the 4K RAW
12 bit material with the offline files from editorial, such as QuickTime
®
or DNxHD
®
. CLIPSTER
®
color corrects or scales each format in real
time. DPX file sequences, for use in third-party color grading software,
are generated faster than real-time. With any RAW files in the timeline
you can control CLIPSTER
®
with your preferred color grader via an
RS-422 interface in highest quality.
"What we appreciate about CLIPSTER
®
is its fascinating
multi-functionality. You can process almost any kind
of file format immediately and that for either play-out,
finalizing, conversion and brilliant conforming. It is
a true time saver and the new DCP module is a big plus
for our worldwide projects.”
Gunter Puszkar, Head of Post Production/
Visual Effects Supervisor at PostFactory
Apple
ProRes
1312
CLIPSTER
®
THE HEART OF YOUR DI
(113 pages)
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