DVS Clipster Spécifications télécharger pdf (Page 11)

4-1

Creating the DCP

With the DSM in the timeline you can directly continue the DCI Mas-

tering and create the Digital Cinema Package (DCP). The DCP has to

be created via a finalizing: It will generate the JPEG2000 encoded video

files in X’Y’Z’ 12 bit as well as the audio data that afterwards will be

wrapped in separate MXF containers. Of course, all preprocessing

steps, such as scalings or color corrections will be performed as well.

Furthermore, this step also creates the Composition Playlist (CPL), the

Key Delivery Messages (KDMs), a Packing List (PKL), and an Asset Map

file for a direct ingest into a D-Cinema screen server.

To create a DCP the project has to be prepared first, followed by the

setup of the finalizing. Then the project has to be rendered which will

result in the final DCP.

4.1 Preparing the DCP Creation

To prepare the project for the creation of the DCP several steps are re-

quired first:

– You have to open the project with the DSM in the timeline of the

CLIPSTER Edit Tool.

– You may want to set reel markers to automatically divide the final-

ized files according to the specifications of the DCI.

– You have to set some general settings for the DCP creation, such as

the private key that should be used to sign the extra files of the

DCP (Signing Key).

Once all these are made, the project will be properly prepared and af-

terwards the finalize settings for the DCP can be made.

This chapter describes how to use the DSM to create a DCP be-

cause this is the fastest way with CLIPSTER to achieve it. How-

ever, a DCP can also be created from a DCDM. For further

information about this see section “Using a DCDM to Create a

DCP” on page 3-3.

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DVS Clipster Spécifications Page 11